Directors Keith Fulton and Luis Pepe set out to create an unconventional documentary about Terry Gilliam’s ambitious project, “The Man Who Killed Don Quixote.” Their goal was to delve into the intricacies of the creative process.

However, their plans took an unexpected turn when lead actor Jean Rochefort fell seriously ill, leading to the abrupt halt of the $32 million production just six days into filming. This incident resulted in a staggering $15 million insurance claim, marking a significant moment in European cinema history.

Initially, their documentary faced challenges as well, with one of their financiers, Canal Plus, withdrawing support. Nevertheless, with Gilliam's encouragement, the filmmakers decided to continue, capturing the ensuing chaos and turmoil.

The outcome of their efforts is “Lost in La Mancha: The Un-Making of Don Quixote,” set to debut at the Berlin Film Festival on February 11. IFC has acquired the rights for distribution in North and South America.

This film offers a candid view of a cinematic calamity, tracing the journey from pre-production in the summer of 2000 to the onset of filming in September and the ensuing month of uncertainty following Rochefort's injury.

Among the notable moments documented is a flash flood that struck on the second day of shooting in southern Spain, sweeping away the entire set. Producer Lucy Darwin vividly recalls the scene, describing how camera equipment was seen floating down a river that appeared out of nowhere in the desert.

The documentary also features five minutes of footage from “Quixote,” camera tests with the actors, and unique animated sequences based on Gilliam’s storyboards, narrated by Gilliam himself and co-writer Tony Grisoni. Additionally, it incorporates footage from Orson Welles' infamous “lost” Quixote film, narrated by Jeff Bridges.Terry Gilliam's ambitious project, "The Man Who Killed Don Quixote," faced a tumultuous decade before it could finally gain momentum. Despite the setbacks, Gilliam remains undeterred and is currently negotiating with the insurance firm that has taken over the project. His plan is to revive the film once he finishes his upcoming work, “Good Omens.”

In the realm of fantasy literature, Philip Pullman’s "His Dark Materials" series stands out as a remarkable contender for cinematic adaptation, particularly for studios seeking the next major franchise akin to "Lord of the Rings."

Pullman, a 55-year-old author known for his thought-provoking stories, achieved a significant milestone last week when his concluding book, "The Amber Spyglass," became the first children's novel to receive the prestigious Whitbread Book of the Year award in the UK.

His trilogy, which presents a unique interpretation of Milton's "Paradise Lost," features child protagonists Will and Lyra who challenge the authority of their creator and the oppressive church, aiming to create a new utopia. This imaginative narrative is often seen as a more complex alternative to the "Harry Potter" series.

The success of "His Dark Materials" has been substantial, with sales reaching 1.3 million copies in the UK and millions more in the US.

Meanwhile, there are ongoing discussions for a theatrical adaptation at the Royal National Theater, with a trilogy of plays slated for production in 2004 under the direction of Nicholas Hytner.

The film rights for the series were acquired six years ago by Scholastic’s Gotham Productions, which is known for the film "An Indian in the Cupboard." They have been waiting for Pullman to complete his trilogy before moving forward with development.

Deborah Forte, Scholastic’s executive vice president overseeing film and television, is currently engaging with potential financiers and filmmakers, including Anthony Minghella and Sydney Pollack’s Mirage Enterprises, to collaborate on a film adaptation. Although Pullman was invited to write the screenplay, he opted out.

“We are eager to progress swiftly,” Forte stated. “We've been poised for over a year, but assembling the right creative team is essential. The filmmaker must possess the courage and vision to bring this story to life.”

The challenge of adapting such a rich and layered narrative awaits.Pathe is making a daring move by launching Peter Hewitt's comedy, "Thunderpants," in the UK on May 16.

This film revolves around a boy who possesses a unique ability related to flatulence.

The release is strategically timed to provide an alternative to the highly anticipated "Star Wars: Episode 2 – Attack of the Clones."

To promote the film, Pathe has adopted a playful tagline: "May the farts be with you."

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